The soundtracks for 1998’s Dil Se and 2001’s Lagaan represent high-water marks his penchant for using non-celebrity singers and combining folk instruments with electronics made for utterly surprising listening and set him up for the later triumph of the Slumdog Millionaire soundtrack, which yielded the hit song “Jai Ho” in 2008. He introduced a sense of spaciousness and experimentalism into the genre that was unheard of at the time, and he soon made the leap to composing for Bollywood with 1995’s beloved Rangeela. But no one could have predicted his success when he began composing for film in 1992 with the Tamil-language film Roja.
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There, he learned how to write quickly and convey strong emotions in short musical snippets-two skills that would prove invaluable in India’s high-volume film industry.
He went on to study western classical music at Oxford, convert to Sufism and change his name, and then return to India to compose ad jingles. After the untimely death of his father, a musician and sometime film composer, Rahman began playing music professionally to support his family he was just 11 years old.
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Dileep Kumar in Madras (now Chennai), India, in 1966, Rahman had two obsessions growing up: music and technology. Rahman combines a fierce work ethic with an inquisitive, musically omnivorous approach that has forever changed India’s film-soundtrack industry.
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